emilia. 15. lover of language & the arts, especially film, literature, & music. aspiring feminist. attempting to fill the hole in my heart with good television. constantly biting my nails.
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BELIEVE IN UR DAMN SELF
nolite te bastardes carborundorum
“1. There will be several days that you daydream about stepping in front of a city bus. Don’t. It will not be beautiful. It will not be brave. It will be selfish. It will be broken. Your mother will cry.

2. Don’t write for him. Write for you. Write for others like you. Write so the girl that thinks about stepping in front of public transportation doesn’t. Don’t be selfish.

3. When you will yourself to sleep and it doesn’t come— get up. It doesn’t matter that it’s 3 am. There will be other 3 am’s. Take a shower. Take two. Wash him out of your hair. Write a poem. Read the same book you’ve read 202 times again. The 203rd time might tell you something different. Don’t stay in bed— you will think about the bus again.

4. Don’t kiss him because he’s broken. Don’t kiss him because his laughter never reaches his eyes. Don’t try and fix him. Fix yourself first. Be selfish. He can’t save you.

5. Date yourself. Take yourself out to eat. Don’t share your popcorn at the movies with anyone. Stroll around an art museum alone. Fall in love with canvases. Fall in love with yourself.

6. Dress up and wear red lipstick and get drunk with your friends. They’re the ones that will pick you up. Don’t kiss him. Or him. Don’t fall asleep on strange couches with strange boys. When his hand slides up your dress walk away. Hit him. Don’t kiss him. He can’t save you.

7. Get another tattoo. Get five more. Get another hole in your ear. Don’t listen to your dad. You will still be able to get a job. Did you really want to be employed by someone like your father? Haven’t you had enough of judgmental old white men anyway? Get fuck you tattooed in tiny letters on your hip.

8. When you feel the yearning for a new city— start over. Take 200 bucks and a three suitcases. Work anywhere that will have you. Meet strange people and forget your name. Call yourself Ruby. No one will know the difference. Remember to call your mother. Don’t be selfish. Come home when you find yourself in the strangers and the small one bedroom apartment.

9. Don’t whisper evil things into your own ear. Other people are going to shout them at you. Be your own hero. Keep a sword on your key ring.

10. Don’t step in front of a city bus. It will not be beautiful. Live. Stay up all night with a boy that promises you everything and means it. Live. See shitty local bands with a friend. Wear a different band’s t-shirt. No one will care. Live. Have a baby girl with tiny fingers and tiny toes someday. Pour love into her until it’s overflowing. Live. Wake up. Staying in bed all day is not poetic.

Live. Live.

Live.

Do you hear that? It’s me. It’s your life. Wake up.

- (via petrichour)
“Wearing a hijab isn’t inherently liberating – but neither is baring one’s breasts. What is liberating is being able to choose either of these things. It’s pretty ludicrous to think that oppression is somehow proportional to how covered or uncovered someone’s body is. Both sides of this argument present a shallow understanding of women’s empowerment, which only drowns out the substantive challenges facing all women – issues that cannot be encapsulated in a debate about a piece of fabric.”
- Sara Yasin, “On Both Sides, a Weak Vision of Feminism,” NYT Debate: Is the Hijab Worth Fighting For?
daughtersofdilla:

Using Walls to Talk Back to Unwelcome ‘Compliments’ 

Shorty. Sweetie. Sweetheart. Baby. Boo. If you’re a woman, you’ve probably heard it. If you were to respond, what would you say?

Read the story on NYTimes.com • [Thanks for passing this on Layel!]
okcatsby:

this is a collage for my main homie, sana

Seth MacFarlane made a whole bunch of sexist, reductive jokes at the Oscars last night. It’s frustrating enough to know that 77 percent of Academy voters are male. Or to watch 30 men and 9 women collect awards last night. But MacFarlane’s boob song, the needless sexualization of a little girl, and the relentless commentary about how women look reinforced, over and over, that women somehow don’t belong. They matter only insofar as they are beautiful or naked, or preferably both. This wasn’t an awards ceremony so much as a black-tie celebration of the straight white male gaze.

MacFarlane’s opening musical number, “We Saw Your Boobs,” might as well have been a siren blaring, “This isn’t for you.” Come on, everyone likes boobs, right? No. The answer is no. They’re not something I hate, and heck, I have a pair to call my own, and yet my takeaway from The Accused was not “Finally, I’ve seen Jodie Foster’s breasts.” My lasting memory of Boys Don’t Cry is not “Hey, free breasts!” At least there was that super timely and relevant reference to Kate Winslet’s many nude scenes.

Jeez, the song was a joke! Can’t you take a joke? Yes, I can take a joke. I can take a bunch! A thousand, 10,000, maybe even more! But after 30 or so years, this stuff doesn’t feel like joking. It’s dehumanizing and humiliating, and as if every single one of those jokes is an ostensibly gentler way of saying, “I don’t think you belong here.” All those little instances add up, grain of sand by grain of sand until I’m stranded in a desert of every “tits or GTFO” joke I’ve ever tried to ignore.

Then came the joke about actresses getting the flu to lose weight. “It paid off,” MacFarlane said. “Looking good.” Well, thank God, because what matters to all women is that we look good for Seth MacFarlane. How many women did he introduce over the course of the night by mentioning how they looked: “Please welcome the lovely ___ ,” “the beautiful ______”? How many men?

Uh, those are compliments! Now he can’t even give women compliments? Compliment away, friends. Let’s compliment the shit out of each other. But let’s be really cognizant of what we compliment each other on, and what that says about what we expect from each other, and what we consider valuable and worth mentioning. It doesn’t matter what Salma Hayek says, because she’s so pretty!

You just don’t like Seth MacFarlane’s sense of humor. What did you expect? Actually, I do like Seth MacFarlane’s sense of humor. (Sometimes. No one likes everything all the time!) I’ve been a loyal Family Guy viewer for almost fifteen years. I’ve been to — and adored — Family Guy: Live. If MacFarlane had sung “Shipoopi” all night, I’d be writing a really different story right now. Instead, there were jokes about how Rex Reed would probably call Adele fat — because that’s what’s important about her — and how someday Quvenzhané Wallis will be old enough to date George Clooney — because that’s what’s important about her — and how sometimes, gasp, a woman might have body hair — because that’s what’s important about them. Women are nags, and Jews run Hollywood! Thank you, Seth MacFarlane, for this cutting-edge humor. Like Mark Wahlberg said, the party’s at Jack Nicholson’s house. You remember, that place where Roman Polanski drugged and raped a 13-year-old girl. Ha-ha, ha-ha, ha.

I dream of someday watching women win all the non-performance categories, of women making as many films as men do, of women and men being nominated for a comparable number of awards. There are a lot of reasons why that day is far, far in the future. But I’ll tell you what’s not helping: the biggest night in film being dedicated to alienating, excluding, and debasing women. Actual gender equality is a ways away, but I’d settle for one four-hour ceremony where women aren’t being actively degraded.

-

—-Why Seth MacFarlane’s misogyny matters

http://www.vulture.com/2013/02/why-seth-macfarlanes-misogyny-matters.html

Five Ways Cis Feminists Can Help Build Trans Inclusivity And Intersectionality

1) Be willing to confront instances of transphobia, cissexism, cisnormativity, cis-centrism, cis privilege and other forms of destructive bias where you find them (especially when you find them within feminist, activist or queer spaces), not through “call outs” or other toxic, self-defeating or abusive strategies, but by taking the opportunity for genuine discourse.

2) Don’t take a purely passive, reactive approach. Rather than waiting for things like someone saying something overtly cissexist, or a trans person bringing up a particular concern, be willing to proactively introduce trans issues, or trans-relevant aspects of broader issues, to feminist discourse. Likewise, proactively treat possible consequences, perspectives and concerns relevant to trans people and trans experiences as being not only significant but essential to all feminist issues and conversations.

3) Don’t assume any given issue is strictly, or even primarily, relevant to cis women. All feminist concerns are also transgender concerns, and vice versa. There are no feminist dialogues in which trans voices “don’t belong”, or to which trans voices have “nothing to add”. There are no social issues related to gender that don’t have consequences for trans people.

4) Proactively seek out transgender voices, perspectives and input on all issues, not simply what you regard as “trans issues” or situations where the value of such perspectives is immediately obvious to you. Come to us, rather than waiting for us to come to you.

5) Don’t treat the larger social conflict of gender as being dialectic or binary in nature. Don’t assume a unidirectional model of gender-based oppression.

If you have a printer, print this out. If you don’t have a printer, befriend someone who does, and print this out.

”The best way to get to know a city is to count up how much change you have in your pocket and take the subway as far as that amount gets you.” David Bowie on traveling in Japan
psychetimelapse:

daisy—chained:

okay, hold up. i have been so upset about this. do you see this young man? he deserves a goddamn nomination if not being handed the fucking oscar, okay. here’s why:
1. this fucker had never acted before. he only was at the auditions because his brother was auditioning and he BRIBED him to come for A MOTHERFUCKING SUBWAY SANDWICH.
2. i don’t know if you know this, but there was NO tiger in any damn scene when he is on that damn boat. HE IS LOOKING AT AIR AND I BELIEVED THERE WAS A FUCKING TIGER IN THE MOVIE UNTIL AFTER I WATCHED AN INTERVIEW WHERE HE SAYS THERE’S NO DAMN TIGER. HE WAS SUCH A GOOD ACTOR I THOUGHT THERE WAS AN ACTUAL TIGER.
3. HE DIDN’T KNOW HOW TO SWIM. look, this kid lied about being able to stay afloat, but HE LEARNED AT LIKE 18 TO SWIM FOR THIS MOVIE. HIS PART IN THE MOVIE IS SURROUNDED BY WATER. MAN, I’VE BEEN SWIMMING SINCE I WAS TWO AND I WOULD STILL BE DYING IF I WAS DOING HALF THE SHIT HE PUT UP WITH IN THAT WATER. HE COULDN’T SWIM. LIKE WATER WAS CONSTANTLY DROWNING HIM. I WOULDN’T BE SURPRISED IF HE NEVER GOES NEAR THE WATER AGAIN AFTER THE AMOUNT OF TIME HE WAS ALMOST DROWNED.
4. if this is not enough to convince you, also look how cute he is and keep in mind that he NEVER GOT THAT FUCKING SUBWAY SANDWICH.
thank you for your time and if you haven’t seen the movie, go see it because it is amazing and i am very passionate about it as you can see.